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—Scott
It is long-standing tradition for painters to document the everyday scenes around them. In that spirit, I spent several years painting Everywhere, USA: the suburbs. Here is a sampling of those efforts.
Snowfolk 42, One Eye, 24 × 18” oil on panel
Snowfolk 40 (Melting Out in Center Field), 24 × 36” oil on canvas
Snowfolk 34 (Night at the Intersection); 36 x 48 oil on canvas
Winner of a 2nd Place ribbon for painting in the 2019 Minnesota State Fair Juried Fine Art Exhibition.
When the kids were little, they used to build 3- to 4-foot snow people then set them in the middle of our quiet—but not totally quiet—side street. They’d sit behind the backyard fence and watch as cars came along. Most drivers would ease up, then… Would they slowly smush the little guy? Accelerate to ramming speed and explode it? It was always a pleasant surprise how many people would carefully drive around, presumably with a smile on their faces. Safety advocates might not recommend this pastime (Don’t try this at home, kids!), but it beats YouTube.
Snowfolk 29 (Dusty): 16 × 12 oil on panel
Snowfolk 30 (Leaning Right): 24 × 36 oil on canvas
Snowfolk 31 (She Worries That She Spends Too Much Time in the Sun): 18 × 22 oil on linen
Snowfolk 32 (Blue Scarf): 16 × 12 oil on panel
Snowfolk 33 (Late Afternoon: 16 × 12 oil on panel
Snowfolk 34 (Polka Dot Hat): 20 × 16 oil on panel
Snowfolk 35 (She Can Dream of Beach Volleyball Can’t She?)
18 × 24 oil on panel
Snowfolk 36 (They Contemplate Their Predicament):
24 × 30 oil on canvas
Snowfolk 37 (Junior Lost His Head: 18 × 28 oil on canvas
Snowfolk 38 (Top Hat:) 16 × 20 oil on panel
Snowfolk 39 (Across the Street): 30 × 40 oil on canvas
Snowfolk 41 (Googly Eyes): 16 × 12 oil on panel
Snowfolk 12 (Blue Shadow): 20 × 16 oil on panel
Snowfolk 12 (Big Guy): 20 × 16 oil on panel
Snowfolk 10 (Blrdy): 30 × 40 oil on panel. NFS
Snowfolk 21 (Sentinel): 48 × 60 oil on canvas
Snowfolk 22 (Behind the Store): 20 × 12 oil on panel
Snowfolk 23 (Freckles): 20 × 16 oil on panel
I wish I had a dollar for for every time I've been asked that question. Most landscape painters, including me, like to focus on bucolic nature, bustling cityscapes, and other scenes with obvious romantic appeal. But what about all the views in between — the freeways, drainage ponds, subdivisions, franchises, strip malls, and office parks that make up so much of our day-to-day experience?
Plein air painting is all about sunlight. But the sun doesn’t just shimmer through trees and glint off waves on a lake. It also makes car bumpers gleam and plastic water slides glow. If beauty is not inherent in the built up, car-centered environment we’ve created, can I nevertheless employ my skills with light, color, and design to create an engaging painting of that landscape? I enjoy the challenge. Let me know what you think.